Sleep Through the Static [Digipak] (CD - 2008)

Personnel: Jack Johnson (vocals, guitar); Zach Gill (vocals, keyboards); Trent Johnson (acoustic guitar); Merlo Podlewski (bass guitar); Adam Topol (drums); J.P. Plunier (hand claps, background vocals); Emmett Malloy, Josh Arroyo (hand claps); Danny Riley (background vocals).

If James Taylor was the face of '70s soft rock, then pro-surfer-turned-multi-platinum singer-songwriter Jack Johnson is surely his millennial counterpart: an easy-on-the-ears commercial juggernaut that the critics dismiss with undisguised and somewhat unjustified bile. Johnson's response to his detractors is to dig in, and with SLEEP THROUGH THE STATIC, his fifth--and best--set of soulfully mellow but emphatically hooky jams, he does just that.

Reportedly recorded on a solar-powered 8-track reel-to-reel, the songs--which, as he explains in the liner notes, concern "making babies...and raising them"--intimately reveal Johnson's newfound family bliss. He brings to the studio his touring band of drummer Adam Topol, bassist Merlo Podlewski, and keyboardist Zach Gill, who adds piano trills reminiscent of those in Nick Drake's "Pink Moon." A laidback Cali quality brims throughout cuts such as the title track and "Hope," as producer Robert Carranza keeps the sounds present but never overbearing.

Much of the press surrounding the release of Sleep Through the Static recounted Jack Johnson's claim that he gave all his peppy pop tunes over to the Curious George soundtrack and how that, combined with personal losses -- including the death of his cousin Danny Riley, to whom the album is dedicated -- led the surfing singer/songwriter into darker territory for his fifth album. To a certain extent, all of that is true, as the album does open with an atypically stark, moody number in "All at Once" and there are some darker sentiments lurking within the 14 songs here, but it takes some close listening to find the sorrow flowing through some of the words. Some very close listening, really, as Johnson's sand-brushed, gentle voice doesn't command attention. His voice lulls and soothes, so it takes concentrated effort to hear beyond his tone and hear what he's actually saying. Then again, the meaning of Johnson's music doesn't matter as much as the mellow mood, a feeling that he's sustained throughout his albums and doesn't change here. Johnson may use more electric guitars than acoustics on Sleep Through the Static, but he's strumming them like acoustics and his overall aesthetic has not changed at all: he's still a laid-back guy singing songs that roll so easy they glide into the background. No matter what instrument he's playing or what he's singing about, his music still feels the same, which is enough to satisfy his fans but not to win him many new ones. ~ Stephen Thomas Erlewine minimize