Live At Massey Hall 1971 [Remaster] (CD - 2007)

Personnel: Neil Young (vocals, guitar, piano); Neil Young.

Audio Remasterer: Tim Mulligan.

Recording information: Massey Hall, Toronto, Ontario, Canada (01/19/1971).

Authors: Victor Stanton; Jack Batten.

Photographer: Joel Bernstein.

Bob Dylan once famously remarked about hearing Neil Young's "Heart of Gold" on the radio that he knew his days as the man of the hour were numbered. Fact is, Young is the only guy who can even reasonably compete with Dylan for the title of rock's greatest songwriter, and while "Dylan in the '60s" has long been a cliched assessment of an undeniable rock hot streak, so too has become "Neil Young in the '70s." While Dylan has long culled material from his archive, Young has been reluctant to do the same. He's now joining the fray full force with LIVE AT MASSEY HALL 1971--the second live release in an ongoing series from Young's legendarily deep vaults.

The performance comes between the release of AFTER THE GOLDRUSH and HARVEST and hot on the heels of DEJA VU, basically the last time Young's eminently enthralling man-child persona of "I Am A Child" and "Helpless" held sway over the obstinate, electric crank of TONIGHT'S THE NIGHT and RUST NEVER SLEEPS. The set is pure magic. Young still seems humble and shy, a guy who stumbled across an incredible gift for melody but possessed the worldliness to let his awkward talent breathe and warble as it was meant to.

Familiar songs have drastically different readings: the subdued "A Man Needs A Maid" comes off here as more of a cry for help than the potentially chauvinistic enigma on HARVEST and seeps perfectly into "Heart of Gold;" while the normally heavy "Cowgirl in the Sand" and "Ohio" are remade as acoustic dirges. The true treasures, however, are the never-released gems "Bad Fog of Loneliness" and "Dance Dance Dance," a song--with its lyrics of love and rainbows--that foregrounds Young's latent whimsy and sets up "I Am A Child" as the perfect closer for this disc. A must for fans of Young, '70s singer-songwriters, and rock in general, LIVE AT MASSEY HALL 1971 perfectly captures the moment just before Dylan's prophecy came true and Young took over pop music.

The second volume of Neil Young's long-promised, suddenly thriving Archives series is Live at Massey Hall, preserving a 1971 acoustic show at the Toronto venue. Where the first volume captured a portion of Neil's past that wasn't particularly well documented on record -- namely, the rampaging original Crazy Horse lineup in its 1970 prime -- this second installment may seem to cover familiar ground, at least to the outside observer who may assume that any solo acoustic Young must sound the same. That, of course, is not the case with an artist as mercurial and willful as Young, who was inarguably on a roll in 1971, coming off successes with Crazy Horse, Crosby, Stills & Nash, and his second solo record, 1970's After the Gold Rush. The concert chronicled on Live at Massey Hall finds Neil dipping into these recent successes for material, as he also airs material that would shortly find a home on 1972's Harvest in addition to playing songs that wouldn't surface until later in the decade -- "Journey Through the Past" and "Love in Mind" wound up on 1973's Time Fades Away, "See the Sky About to Rain" showed up on 1974's On the Beach -- and then there's two songs that never showed up on an official Neil Young album: the stomping hoedown "Dance Dance Dance," which he gave to Crazy Horse, and "Bad Fog of Loneliness," which gets its first release here. This is a remarkably rich set of songs, touching on nearly every aspect of Young's personality, whether it's his sweetness, his sensitivity, his loneliness, or even his often-neglected sense of fun. True, the latter only appears on "Dance Dance Dance," but that comes as a welcome contrast to the stark sadness of "See the Sky About to Rain." But even if "Down by the River" and "Cowgirl in the Sand" retain their intense sense of menace when stripped of the winding guitar workouts of Crazy Horse, this concert isn't dominated by melancholy: it's a warm, giving affair, built upon lovely readings of "Helpless," "Tell Me Why," "Old Man," and an early incarnation of "A Man Needs a Maid" (here played as a medley with "Heart of Gold") that removes the bombast of the Harvest arrangement, revealing the fragile, sweet song that lies underneath. While this concert isn't as freewheeling and rich as Young's studio albums of the early '70s -- each record had a distinctive character different from its predecessor, thanks in part to producer David Briggs, arranger/pianist Jack Nitzsche, and Young's supporting musicians, including Crazy Horse or the Stray Gators -- it nevertheless captures the essence of Neil Young the singer and songwriter at his artistic peak. That's the reason why this concert has been a legendary bootleg for nearly four decades and why its release 36 years after its recording is so special: it may not add an additional narrative to Neil Young's history, but it adds detail, color, and texture to a familiar chapter of his career, rendering it fresh once more. No wonder Briggs wanted to release this concert as an album between After the Gold Rush and Harvest: it not only holds its own against those classics, it enhances them. [Live at Massey Hall was also released as a two-disc set that contained a CD of the show and a DVD containing the same concert in high fidelity audio.] ~ Stephen Thomas Erlewine minimize