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Between Two Worlds (CD - 2006)

Between Two Worlds (CD - 2006)

UPC: 00727361175023

As low as $15.74 from CD Universe

Artist: I

Label: Nuclear Blast Records (USA)

Genre: Heavy Metal - Black Metal

Album Description: I: Abbath (vocals, guitar); Ice Dale (guitar); TC King (bass guitar); Armagedda (drums).Audio Mixer: Peter Tägtgren.Recording information: Lydrikey Studio.Photographer: Hakon Grav.The supergroup blueprint makes its entree into the world of Norwegian black metal ... read more

I: Abbath (vocals, guitar); Ice Dale (guitar); TC King (bass guitar); Armagedda (drums).

Audio Mixer: Peter Tägtgren.

Recording information: Lydrikey Studio.

Photographer: Hakon Grav.

The supergroup blueprint makes its entree into the world of Norwegian black metal with the release of BETWEEN TWO WORLDS. Simply known as I, members of Enslaved, Sagh, and Olve "Abbath" Eikemo's Immortal join forces to form a powerhouse band that picks up where the now-defunct latter group left off. Chunky, symphonic guitar riffs meld with epic solos and classic bellowing-from-hell vocals to create a sound that could only be described as melodic death metal.

Citing equal amounts of inspiration from Bathory and Kiss, Norwegian supergroup I set out to bridge the chasm separating black metal and rock & roll (i.e., black & roll) -- with their 2006 album, Between Two Worlds. And most listeners are bound to agree that they've succeeded, with memorable songs like "Warriors" and the title cut building upon simple but surprisingly high caliber rock & roll riffs, which are then threaded with evocative, often morose-sounding harmonies. Occasional bursts of double kick-drums launch other tracks like "The Storm I Ride" and the excellent "Cursed We Are" towards thrash territory, but don't expect either of the two genres' stylistic extremities; things like blastbeats or blues licks -- these are exceptions, rather than the rule. Instead, it's mid-paced material that rules the day here, with well-constructed power chords gaining majestic eloquence on additional standouts like "Mountains," "Days of the North Winds" (featuring discreet synthesizer touches and a stellar guitar solo), and the respectfully executed Quorthon tribute, "Far Beyond the Quiet." As for the vocals, I's chief architect, Olve Eikemo (aka Abbath, of Immortal), still can't sing in a traditional, melodic sense, so he retires his token black metal rasp in exchange for a throatier, Lemmy-style croak, which suits the proceedings just fine. In sum, Between Two Worlds isn't likely to cross over into the pop charts anytime soon, but it contains plenty of inspired music, fit for fans of both black metal and underground hard rock. Almost makes you wonder whether the possibility of an Immortal reunion is even worth bothering with, when I becomes a viable alternative. ~ Eduardo Rivadavia minimize

 
 
 
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