Kenny Chesney Live (CD - 2006)

Personnel: Tim Hensley (acoustic guitar, electric guitar, gut-string guitar, background vocals); Nick Hoffman (electric guitar, fiddle, background vocals); Clayton Mitchell (electric guitar, background vocals); Wyatt Beard (keyboards, background vocals); Sean Paddock (drums, percussion, background vocals); Melvin Fults (steel drum).

Audio Mixer: Kevin Beamish.

Liner Note Author: Judy Forde Blair.

Recording information: Gaylord Entertainment Center, Nashville, TN; Heinz Field, Pittsburgh, PA; Home Depot Center, Los Angeles, CA; Le Mobile; Nassau, Bahamas; Neyland Stadium, Knoxville, TN; WEstwood Sound Studios.

Photographers: Carolyn Snell; Glen Rose.

A genial live set, Kenny Chesney's LIVE THOSE SONGS AGAIN is a 14-track summation of the Nashville country star's laid-back charms. Recorded at various shows going all the way back to 1998 in front of uniformly enthusiastic crowds (on "Anything But Mine," the large audience sings the chorus almost unaccompanied), these tracks show more of Chesney's pop and rock influences, with a looser and more swaggering edge than his comparatively restrained studio albums. This is best shown on a thumping, rocked-out version of the barroom standard "Beer In Mexico."

If Kenny Chesney wasn't going to save the album title of Live Those Songs Again for a career-spanning retrospective, he might as well use it on a live album, even though it does bear an unfortunate and unintentional double meaning when attached to a live album -- as is in, "Live!...Those Songs Again." Familiar though they may be, these Chesney songs don't sound as weary as all that, particularly because Chesney gives them the widescreen spectacular treatment of his stadium shows, which this 2006 live release fairly faithfully documents. In an arena setting, Chesney's AOR roots ring out loud and clear, to the point where he sounds less a country singer than an heir to '80s heartland rock -- an association he openly courts within the liner notes of the album, where he name-drops Bruce Springsteen, John Mellencamp (misspelled as "Mellancamp"), and Bryan Adams and is seen sporting a "Bruce Live 1975-1985" shirt. He pulls off these mid-America arena rock moves well. He's sometimes overshadowed by his slicked-up, pumped-up band. Even if Chesney does wind up disappearing into the atmosphere at his own party, it almost seems like he's playing the gracious host, letting his band and audience enjoy the show more than he does, because it's about them, not him. As such, this album is fun for fans: it's a souvenir to a old party and could serve as a soundtrack to a new party. ~ Stephen Thomas Erlewine

If Kenny Chesney wasn't going to save the album title of Live Those Songs Again for a career-spanning retrospective, he might as well use it on a live album, even though it does bear an unfortunate and unintentional double meaning when attached to a live album -- as is in, "Live!...Those Songs Again." Familiar though they may be, these Chesney songs don't quite sound as weary as that, particularly because Chesney gives them the widescreen spectacular treatment for his stadium shows, which this 2006 live release fairly faithfully documents. In an arena setting, Chesney's AOR roots ring out loud and clear, to the point where he sounds less a country singer than an heir to '80s heartland rock -- an association he openly courts within the liner notes of the album, where he name-drops Bruce Springsteen, John Mellencamp (misspelled as "Mellancamp"), and Bryan Adams and is seen sporting a "Bruce Live 1975-1985" shirt. He pulls off these mid-America arena rock moves well, but not with a lot of flair; in fact, he's sometimes overshadowed by his slicked-up, pumped-up band. Even if Chesney does wind up disappearing into the atmosphere at his own party, it almost seems like he's playing the gracious host, letting his band and audience enjoy the show more than he does, because it's about them, not him. As such, this album is fun for fans but otherwise not that compelling: it's a souvenir to a old party and could serve as a soundtrack to a new party, but when subjected to close listening, it pales next to Chesney's precisely crafted studio records. After all, such precision pays off in the studio, but tends to sound a little canned on-stage. ~ Stephen Thomas Erlewine minimize