Personnel: Rhonda Smith (vocals, keyboards, acoustic bass, electric bass, fretless bass, background vocals); Rhonda Smith (guitars); Latrese Bush, Fred Hammond (vocals, background vocals); Billy Odum (guitar, acoustic guitar, electric guitar); Derek Scott, Felicia Collins, Kathleen Dyson, Mike Scott (guitar); Prince (guitars); Eric Essix (acoustic guitar, electric guitar); Ronald James (soprano saxophone); Joey Sommerville (trumpet, keyboards, bass synthesizer, drums, programming); Phil Davis (Fender Rhodes piano, keyboards); Renato Neto (Fender Rhodes piano); Anthony Perry (keyboards, bass synthesizer); John Roberts (drums); Omar Phillips (percussion); Andre Bowman (programming); Larry Darrell (drum programming).
Audio Mixers: Rhonda Smith ; Joey Sommerville.
Recording information: Luminous Sound, Dallas, TX; Slow Wine Music, Sherman Oaks, CA; Studio 3121, Beverly Hills, CA; The Manor, Alpharetta, GA.
Photographer: Ron MacDonald.
One of the great aspects about having a steady, lucrative side gig -- in the case of versatile bassist, singer and songwriter Rhonda Smith, nearly ten years playing with Prince -- is the freedom to create a solo project that happily defies any easy genre categorization. Of course, it's also nice to have Prince himself in the house, lending a promotional quote ("This is Rhonda...and she is funky!") and his crunchy lead and rhythm guitars to the old-school soul)-( ock jam "Time." Smith says it all about the eclectic nature of her disc in the half-minute industrial vibing intro called "What Do They Think Music Is." She answers that in many ways throughout RS2, beginning with the adventurous, sensuous soul meets trippy electronica tune "To Get with You," and engaging in some biting commentary about an emotionally stunted lover on the sparse, percussive neo-soul-jazz piece "Lost Child." "Always" moves into progressive urban smooth jazz territory, with Smith focusing more on the melodic capabilities of her axe, accompanied by Ron James' soprano sax and some gently echoing background vocals. "Why Criticize" takes this same road, complementing its long intro with a brief dose of Smith's most beautiful vocals. There are also some percussive jazzy elements on the hypnotic closer "Ray of Light." Smith never stays in one place too long, however zipping next to the swampy, front porch blues declaring her love for "Country Music." "Sunshine" is like an avant-garde mishmash of gospel, electronica, jazz and world percussion -- bright as promised -- while "It's You" is a sweet but very conventional mid-tempo duet with gospel legend Fred Hammond. If there's a mainstream hit here, that's the one; it's not the most original tune in the bunch, but it's a safe entry point to Smith's intensely creative free-for-all world. ~ Jonathan Widran minimize