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Union Street (CD - 2006)UPC: 00724596932124Artist: Erasure Label: Mute Records Genre: Rock & Pop Album Description: The swift follow-up to 2005's well-received NIGHTBIRD, UNION STREET finds Erasure in an unlikely acoustic scenario. Rather than including songs from the aforementioned album or even a round of hits, this 11-track record throws listeners an intriguing curveball by featuring t... read more The swift follow-up to 2005's well-received NIGHTBIRD, UNION STREET finds Erasure in an unlikely acoustic scenario. Rather than including songs from the aforementioned album or even a round of hits, this 11-track record throws listeners an intriguing curveball by featuring the venerable U.K. duo running through a set of lesser-known tunes. Stripped of their synth-pop veneer, these songs are cast in a wholly new light, with Andy Bell's plaintive voice coming to the fore over gentle, lilting accompaniment. Though some tunes are extremely minimal in their arrangements--"Home," for example, primarily employs acoustic and pedal-steel guitars--the gorgeous "Stay with Me" builds to a spacious sense of majesty with the assistance of a gospel choir. While most Erasure albums evoke the energy of a night of clubbing, UNION STREET perfectly embodies the mellow atmosphere of the next morning. With live albums, remix albums, and even an all-covers album in their back catalog, Erasure have utilized every stopgap device known to man except the unplugged album, until now. With plenty of dobro, strings, pedal steel, and nylon string guitars, Union Street is a soft, all-acoustic affair. While that may seem an uninspired choice after the excellent and purposeful Nightbird -- or downright ridiculous since they are a dancefloor-filling synth duo at the core -- the oddball song selection and elegant arrangements are surprising enough to believe this is more than a cash-in or by-the-numbers release. Instead of unplugging "Love to Hate You," "Oh l'Amour," or any of the other club hits that have made an impact past their core audience, Erasure have chosen album tracks and B-sides, most dealing with heartbreak, and a handful dealing with hope. It's a limited listen, made worse by the front-loading of the best tracks. "Boy," "Piano Song," and "Stay with Me" all sound renewed and vital, but as the album progresses, the songs get cluttered with strumming and string arrangements that don't serve the tunes as well as they should. As melodies get lost in this pastoral jumble, familiarity with the original tracks helps a lot, suggesting the album would make a better fanclub release than a general one. If approached in that casual manner, a longtime Erasure fan will get twice, maybe three times as much more out of Union Street than the merely curious will. ~ David Jeffries minimize
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