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Anywhere But Here (CD - 2005)UPC: 00724357738026Artist: Chris Cagle Label: Capitol/EMI Records Genre: Country - Contemporary Country Album Description: Personnel: Chris Cagle (vocals); John Willis (acoustic guitar, electric guitar, banjo); John Carroll, Dan Agee (electric guitar); Jonathan Yudkin (strings).On his third album, Anywhere But Here, Chris Cagle's rock influences shine stronger than ever. Not only does he cove... read more Personnel: Chris Cagle (vocals); John Willis (acoustic guitar, electric guitar, banjo); John Carroll, Dan Agee (electric guitar); Jonathan Yudkin (strings). On his third album, Anywhere But Here, Chris Cagle's rock influences shine stronger than ever. Not only does he cover Bon Jovi's "Wanted Dead or Alive" and name-drop Lynyrd Skynyrd, but "Hey Ya'll" has a defiant, hard-rocking swagger and he favors anthemic mid-tempo tunes built on classic rock to honky tonk ravers. But in a time where Big & Rich and their Muzik Mafia cohorts are rewriting contemporary country music as a flashy, ironic lark, this devotion to classic and Southern rock makes Cagle a bit of a traditionalist, and he wears it well on Anywhere But Here. While some of the power ballads veer a little bit toward the generic, there are a bunch of strong songs here, ranging from the opening "You Might Want to Think About It," where Cagle takes a stand for Middle America, to the soaring "Maria," which may be his best fusion of modern country and AOR. Throughout it all, Cagle remains an appealing singer -- his voice may be a little thin, but it's friendly, and it can help sell his tales of love, loss, and living. Anywhere But Here may not be a knockout, but it's a thoroughly likeable, engaging record that proves Chris Cagle is something of a country everyman for 2005, which not only makes him endearing, but a little refreshing next to such oversize personalities as Big & Rich and Toby Keith. ~ Stephen Thomas Erlewine The third album by contemporary country singer Chris Cagle represents two different tendencies in his music. The first is a penchant for crossover country-pop, especially powerhouse ballads meant to pull the heartstrings, which Cagle handles with particular skill. The second and more interesting tendency is Cagle's commitment to country-rock, which comes roaring through on rollicking, honky-tonk numbers like "Hey Y'All" and his twangy revision of Bon Jovi's "Wanted Dead or Alive". The mixture makes for a radio-friendly release that's also got teeth. minimize
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