My Love: Petula Clark Sings the Sixties has an interesting concept as far as budget-line collections go. The ten songs featured include two of Clark's '60s hits ("A Sign of the Times" and "My Love") and then eight popular songs from the mid- to late-'60s. The tunes are pretty obvious selections and were no doubt used as filler on Clark's albums. She sounds pretty game whether tackling slow groovers like the Rascals' "Groovin'," up-tempo rockers like Martha & the Vandellas' "Dancing in the Street" or treacly ballads like the Beatles' "Here, There and Everywhere"." Game but not particularly interesting as the arrangements are pretty stock copies and her voice isn't always suited to the material. The two tracks composed by Tony Hatch expressly for her are head and shoulders above the covers. Hearing her storm through the punchy "Sign of the Times" or croon through the twisting chord changes of "My Love," you realize that she and Hatch had an almost perfect musical relationship. Better that you explore it on one of Clark's numerous greatest-hits package and give this fun but inessential disc a pass. ~ Tim Sendra
Clark's My Love album was recorded in New York City, her first time working there, and the venue may have something to do with the superior sound and the differences between this and her prior albums. Clark's voice is in fine form throughout this part of her career, but her accompaniments on songs like "The Life and Soul of the Party" and "My Love" have a crispness, precision, and bite that transcend much of her other work. There are also some surprises, including some bluesy guitar on the break of the former and a drummer who's kicking the hell out of his kit on the latter (musician credits would've been nice). The album's fault lies, to some extent, in a degree of sameness between the songs -- Clark does try to vary her approach to the different numbers, but at some point there's a repetitive nature to her style and intonation, which only means that she wasn't primarily an album artist, at least not when she was doing albums made up virtually entirely of songs written (or co-written) by producer Tony Hatch, spiced with a Lennon-McCartney tune ("We Can Work It Out") or other outside work. Clark co-wrote several of the numbers here, and they're not vanity productions -- she was a competent composer. The 1999 Sequel Records remastering has helped the sound, and made the record work better, but there are still flaws, including a hopeless pop version of the Beatles' "Rain" (appended as a bonus track) and Clark's tendency to slide from edgy, rhythmic British beat sound into light pop music. ~ Bruce Eder minimize