Trouble [Digipak] (CD - 2004)

Personnel: Ray LaMontagne (vocals, acoustic guitar, harmonica); Ray LaMontagne; Roger Wilke, Roger Wilkie (violin); Ethan Johns (guitar, piano, harmonium, bass guitar, drums, percussion); Mark Robertson , Julie Gigante, Phillipe Levy (violin); David Low (cello).

Audio Mixer: Ethan Johns.

Recording information: Sunset Sound, Hollywood, CA.

Illustrator: Jason Holley.

The best songs on Trouble, the debut release from songwriter Ray LaMontagne, draw on deep wells of emotion, and with LaMontagne's sandpapery voice, which recalls a gruffer, more sedate version of Tim Buckley or an American version of Van Morrison, they seem to belie his years. The title tune, "Trouble," is an instant classic, sparse and maudlin (in the best sense), and songs like "Narrow Escape," a ragged, episodic waltz, are equally impressive, with careful, cinematic lyrics that tell believable stories of wounded-hearted refugees on the hard road of life and love. Most of the tracks fall into a midtempo shuffle rhythm, so the words have to carry a lot in order to avert a sort of dull sameness, and when it works, it works big, and when it doesn't, well, LaMontagne is so serious and sincere about his craft that you tend to forgive him instantly. Sara Watkins of Nickel Creek guests on "Hannah" and the sad, somber lullaby "All the Wild Horses," playing fiddle and adding vocals, and producer Ethan Johns adds drums and other touches on most tracks. The sound is measured and sparse, with few frills (a five-piece string section is used on a few tracks, but is never intrusive), all of which supports the emotional urgency of LaMontagne's writing. "How Come" sounds a bit like a rewrite of Dave Mason's "Feelin' Alright," and a couple of other cuts seem a bit labored, but overall this is an impressive debut by an extremely special songwriter. ~ Steve Leggett

Every once in a while a singer/songwriter comes down the pike in the grand emotive tradition of Neil Young and Van Morrison. In the early 2000s, the quietly intense folk of Iron & Wine and the rootsy-experimental stylings of Sufjan Stevens continued that lineage. Ray LaMontagne, whose impressive 2004 debut, TROUBLE, draws on alt-country, roots rock, and progressive folk in a unique, strikingly sincere way, seems a likely candidate for the keeper of the flame.

The title track, which opens the album, introduces LaMontagne's deeply textured singing. Simultaneously raw, lilting, and expansive, LaMontagne's voice bristles with emotion, and immediately commands the listener's attention. Though the instrumentation on the album rarely changes--strummed acoustic guitar, tasteful string arrangements, bass, drums, and electric guitar for accents--the moods shift subtly from song to song. "Burn" is harrowingly intimate and hushed, while "How Come" works a shuffling groove and "Hold You in My Arms" has a wistful, waltz-like feel. LaMontagne's lyrics, strong on narrative detail and vivid imagery, are the crowning touch on these moving songs of love and loss. TROUBLE is so well realized, in fact, that it sometimes belies the truth that this is the artist's first effort. minimize