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Live at Billy Bob's Texas (CD - 2003)

Live at Billy Bob's Texas (CD - 2003)

UPC: 00662582502527

As low as $6.48 from Alibris

Artist: Jack Ingram

Label: Smith Entertainment

Genre: Country - Contemporary Country

Album Description: Personnel: Jack Ingram (vocals, guitar); Chris Masterson (guitar, mando guitar); Jens Pinckernell (guitar); Bukka Allen (piano, Hammond B-3 organ);Robert Kearns (bass, background vocals); Pete Coatney (drums).Recorded live at Billy Bob's Texas, Fort Worth, Texas.Per... read more

Personnel: Jack Ingram (vocals, guitar); Chris Masterson (guitar, mando guitar); Jens Pinckernell (guitar); Bukka Allen (piano, Hammond B-3 organ);

Robert Kearns (bass, background vocals); Pete Coatney (drums).

Recorded live at Billy Bob's Texas, Fort Worth, Texas.

Personnel: Jens Pinckernell, Chris Masterson (guitar); Bukka Allen (piano); Pete Coatney (drums); Robert Kearns (background vocals).

DJ: Jeremy Richardson.

Audio Mixer: Jerrod Tuten.

Recording information: Billy Bob's Texas.

Creator: Rick Smith.

Director: Rob Gallagher.

Photographer: Randal Vanderveer.

Modern day outlaw Jack Ingram brought his Beat Up Ford band to Billy Bob's Texas earlier in 2003 and left with a burning, rowdy, unruly set on tape. For those who've never encountered Ingram and his band live, this document is as solid as it gets. It's rough, raw, and outta control. Included are 15 tracks, most of which are Ingram standards such as his signature tune, "Beat Up Ford," "Red, White & Blues," "Nothing to Gain," "Ghost of a Man," "She Don't Love You," and "Run to Me," of course. In addition, there are a few stellar covers included such as the Joe Maphis classic "Dim Lights, Thick Smoke (And Loud, Loud Music)" and a set-ending stunner in the form of Waylon Jennings' "Are You Sure Hank Done It This Way." Ingram's manner of relating to an audience has nothing to do with corny jokes, or self-styled anthems geared to get response from a drunken crowd. His delivery is honest, to the punch, and completely inside his lyrics. His writing, while far from elegant, nonetheless conveys the stories he sings with a rebel angel poet's grace. And what comes across here is the only thing that matters on any live recording, or any recording period: the transference of emotion from performer to listener, in spades. ~ Thom Jurek minimize

 
 
 
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