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At Madison Square Garden (CD - 2002)UPC: 00696998680821Artist: Johnny Cash Label: Legacy Recordings Genre: Oldies - Rock 'N' Roll Album Description: Originally recorded in 1969, AT MADISON SQUARE GARDEN has been previously unreleased.Personnel: Johnny Cash (vocals, acoustic guitar); Tommy Cash (spoken vocals, acoustic guitar); Carl Perkins (vocals, electric guitar); The Carter Family (vocals, guitar); The Statler Brot... read more Originally recorded in 1969, AT MADISON SQUARE GARDEN has been previously unreleased. Personnel: Johnny Cash (vocals, acoustic guitar); Tommy Cash (spoken vocals, acoustic guitar); Carl Perkins (vocals, electric guitar); The Carter Family (vocals, guitar); The Statler Brothers (vocals); Bob Wootton (electric guitar); Marshall Grant (bass); W.S. Holland (drums). Recorded live at Madison Garden Square Garden, New York, New York on December 5, 1969. Includes liner notes by Lou Robin and Allen Tinkley. All tracks have been digitally remastered. Personnel: Johnny Cash (vocals, acoustic guitar); Robbie Harden, Helen Carter, Mother Maybelle Carter, Anita Carter, Carter Family (vocals, guitar); Tommy Cash (vocals, acoustic guitar); Carl Perkins (vocals, electric guitar); Harold Reid, Lew DeWitt, Philip Balsley, The Statler Brothers, Don Reed (vocals); Bob Wooton, Bob Wootton (electric guitar); W.S. Holland (drums). Audio Mixer: Thom Cadley. Liner Note Authors: Alfred G. Aronowitz; Lou Robin. Recording information: Madison Square Garden, New York, NY (12/05/1969). Editor: Darcy Proper. Photographers: Don Hunstein; George Kalinsky. Arranger: J.D. Cash. Not released until 2002, all 26 of these songs -- adding up to a generous 77 minutes -- were recorded at Cash's successful show at Madison Square Garden in New York on December 5, 1969. Two best-selling live late-'60s Cash albums, At Folsom Prison and At San Quentin, have long been available, and it will be pretty difficult for this to dislodge those in prominence among those scouting for live material in the Cash catalog. Still, it's a good document of Cash as he reached the apex of his mainstream popularity. Also, its setting in a large, popular venue by itself guaranteed that the ambience would be somewhat different than it would be on the two aforementioned live albums, both recorded in prisons. While Cash has a full band (including Carl Perkins on electric guitar and his longtime associate Marshall Grant on bass), the sound, to its credit, remains spare. The sound is not amazingly top-of-the-line, but it's pretty good, and the repertoire is extremely varied, taking in oldies like "Big River," "I Still Miss Someone," "Long Black Veil," and "Folsom Prison"; his then-recent smashes "Boy Named Sue" and "Daddy Sang Bass"; the Americana and Native American advocacy of songs like "The Ballad of Ira Hayes" and "Remember the Alamo"; the spiritual "Were You There (When They Crucified My Lord"); and Ed McCurdy's anti-war folk revival tune "Last Night I Had the Strangest Dream." There are also guest star turns for Carl Perkins (who does "Blue Suede Shoes"), the Statler Brothers (who do their hit "Flowers on the Wall"), and the Carter Family, whose two songs are actually vivacious highlights of the disc, and a good change of pace from Cash's customary low chug. Between-song raps on the Vietnam War, prison, and other topics testify to Cash's ability to reach out to all stripes of his constituency, though the finale medley (and the bits near the end announcing the renewal of his TV show and explaining pregnant June Carter's absence) are a tad showbizzy. ~ Richie Unterberger This 1969 concert recording fits nicely alongside Johnny Cash's live outings AT FOLSOM PRISON and AT SAN QUENTIN to create a mighty triumvirate. Capturing Cash at the peak of his commercial popularity before a sold-out New York audience, and featuring a full band that includes Carl Perkins, the Statler Brothers, and the Carter Family, AT MADISON SQUARE GARDEN stands in sharp contrast to Cash's bare-bones prison concerts. But the proof, as Cash invariably proves, is in the material and performances. A high-octane "Big River" kicks off the concert, and sets the tone for the 75 minutes of back-to-back classics that follow. "I Still Miss Someone," "The Long Black Veil," and "Folsom Prison Blues" all get impassioned treatments, while Cash varies his repertoire with gospel tunes ("He Turned the Water Into Wine"), protest songs ("Last Night I Had the Strangest Dream"), and songs about civil rights ("The Ballad of Ira Hayes"). As an introduction to his work and an impressive document for long-time fans, this is a top selection in the artist's massive discography. minimize
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