Raising Hell [Remaster] (CD - 1986)

Additional personnel: Steven Tyler (vocals); Joe Perry, Rick Rubin (guitar); Daniel Shulman (bass); Sam Sever (drum programming).

Engineers include: Steve Ett, Andy Wallace, Jay Burnett.

Personnel: Joe Perry (vocals, guitar); Joe "Run" Simmons, Steven Tyler, Darryl "D.M.C." McDaniels (vocals); Rick Rubin (guitar); Jam Master Jay, Jason Mizell (keyboards, percussion); Sam Sever (drum programming).

Recording information: Chung King, New York, NY; Magic Ventures; Shakedown Sound; Soundtrack Recording.

By their third album, Run-D.M.C. were primed for a breakthrough into the mainstream, but nobody was prepared for a blockbuster on the level of Raising Hell. Run-D.M.C. and King of Rock had established the crew's fusion of hip-hop and hard rock, but that sound didn't blossom until Raising Hell, partially due to the presence of Rick Rubin as producer. Rubin loved metal and rap in equal measures and he knew how to play to the strengths of both, while slipping in commercial concessions that seemed sly even when they borrowed from songs as familiar as "My Sharona" (heard on "It's Tricky"). Along with longtime Run-D.M.C. producer Russell Simmons, Rubin blew down the doors of what hip-hop could do with Raising Hell because it reached beyond rap-rock and found all sorts of sounds outside of it. Sonically, there is simply more going on in this album than any previous rap record -- more hooks, more drum loops (courtesy of ace drum programmer Sam Sever), more scratching, more riffs, more of everything. Where other rap records, including Run-D.M.C.'s, were all about the rhythm, this is layered with sounds and ideas, giving the music a tangible flow. But the brilliance of this record is that even with this increased musical depth, it still rocks as hard as hell, and in a manner that brought in a new audience. Of course, the cover of Aerosmith's "Walk This Way," complete with that band's Steven Tyler and Joe Perry, helped matters considerably, since it gave an audience unfamiliar with rap an entry point, but if it were just a novelty record, a one-shot fusion of rap and rock, Raising Hell would never have sold three million copies. No, the music was fully realized and thoroughly invigorating, rocking harder and better than any of its rock or rap peers in 1986, and years later, that sense of excitement is still palpable on this towering success story for rap in general and Run-D.M.C. in specific. ~ Stephen Thomas Erlewine

Rap music may have been making some headway in terms of mainstream acceptance by 1986, but it was the release and breakthrough of Run DMC's cover of Aerosmith's "Walk This Way" that cemented the deal. Rap was out of the urban ghetto and into the white, hard rock suburbs. And Run DMC was the perfect band to initialize the natural crossover, being among the first of hip-hop's nationally respected acts, and definitely the first to hint at the marriage of hardcore rap and power chords with 1983s "Rock Box" and 1985s "King of Rock."

RAISING HELL, the band's third full-length release, includes far more classics than just that one pop hit. "Peter Piper," "It's Tricky," "My Adidas" and "You Be Illin'" define the old-school hip-hop aesthetic about as well as any four songs on any rap full-length recorded in the '80s. Listen to any song on this LP and you'll recognize two to three lines that have become standards in the language of rap. A historic album? You don't know the half of it. minimize