Lifes Rich Pageant (CD - 1986)

The songs on LIFE'S RICH PAGEANT are listed out of order on the packaging. Two songs on the record, "Underneath The Bunker" and a cover of the Clique's "Superman," aren't listed at all.

R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass); Bill Berry (drums).

Recorded at The Belmont Mall, Belmont, Indiana.

Personnel: Michael Stipe (vocals); Peter Buck (guitar); Bill Berry (drums).

Audio Mixer: Ross Hogarth.

Recording information: Belmont Mall Studio, Belmont, IN.

Fables of the Reconstruction was intentionally murky, and Lifes Rich Pageant was constructed as its polar opposite. Teaming with producer Don Gehman, who previously worked with John Mellencamp, R.E.M. developed their most forceful record to date. Where previous records kept the rhythm section in the background, Pageant emphasizes the beat, and the band turns in its hardest rockers to date, including the anthemic "Begin the Begin" and the punky "Just a Touch." But the cleaner production also benefits the ballads and the mid-tempo janglers, particularly since it helps reveal Michael Stipe's growing political obsessions, especially on the environmental anthems "Fall on Me" and "Cuyahoga." The group hasn't entirely left myths behind -- witness the Civil War ballad "Swan Swan H" -- but the band sound more contemporary both musically and lyrically than they did on either Fables or Murmur, which helps give the record an extra kick. And even with excellent songs like "I Believe," "Flowers of Guatemala," "These Days," and "What if We Give It Away," it's ironic that the most memorable moment comes from the garage rock obscurity "Superman," which is sung with glee by Mike Mills. ~ Stephen Thomas Erlewine

Coming after the dark and arty FABLES OF THE RECONSTRUCTION, 1986's LIFE'S RICH PAGEANT was R.E.M.'s first tentative step towards the rock & roll mainstream. At the time, Don Gehman's production sounded shockingly bright and commercial, but, in hindsight, the album is clearly a dry run for the impending commercial pinnacle of GREEN, OUT OF TIME, and AUTOMATIC FOR THE PEOPLE. The gorgeous "Fall on Me" (an ecological meditation featuring a spectacularly pretty chorus sung in counterpoint by Michael Stipe and Mike Mills) remains the record's best-known track. However, it is a quartet of harder-rocking songs--"Begin the Begin," "Cuyahoga," "Just a Touch" (which quotes Patti Smith's 1975 deconstruction of "My Generation") and a giddy cover of the Clique's psych-pop obscurity "Superman" sung by Mills--that points towards the Georgia band's more emotionally direct and musically loose future. LIFE'S RICH PAGEANT has been largely overshadowed by its more commercially successful follow-ups, but it remains one of R.E.M.'s strongest albums. minimize