Days of Future Passed [Remaster] (CD - 1967)

The Moody Blues: Justin Hayward (vocals, guitar); Ray Thomas (flute, harmonica); Mike Pinder (keyboards); John Lodge (bass); Graeme Edge (drums).

Additional personnel: Peter Knight (conductor); The London Festival Orchestra.

Includes liner notes by Hugh Mendl.

All tracks have been digitally remastered

Additional personnel: Peter Knight (conductor); The London Festival Orchestra.

Includes liner notes by Hugh Mendl.

This is a DTS CD, which features DTS 5.1 Surround Sound technology and is playable on a DTS-capable 5.1 Surround Sound system.

Additional personnel: Peter Knight (conductor); The London Festival Orchestra.

Includes liner notes by Hugh Mendl.

The Moody Blues: Justin Hayward, Graeme Edge, John Lodge, Mike Pinder, Ray Thomas.

Personnel: Justin Hayward, John Lodge (vocals, guitar); Ray Thomas (vocals, flute, horns); Michael Pinder (vocals, keyboards); Graeme Edge (drums).

Additional personnel: London Festival Orchestra.

Liner Note Author: Hugh Mendi.

Recording information: 05/09/1967-06/29/1967.

Unknown Contributor Roles: London Festival Orchestra; Michael Dacre-Barclay.

DAYS OF FUTURE PASSED is the Moody Blues' true contribution to rock history: the most cohesive integration of rock songs with orchestral music ever produced. Asked by Deram Records to create a rock reworking of Dvorak's "New World" Symphony, the Moodies instead wrote their own symphony, a song cycle that describes the emotions that accompany each part of the day, from dawn ("Dawn Is A Feeling") to night (the classic "Nights In White Satin"). The songs are connected by lush orchestral passages in which the basic musical themes are reworked. Meanwhile, the band had already begun to sound like its own orchestra, using signature Mellotron string sounds, flutes, tympani and multiple vocalists.

DAYS OF FUTURE PASSED is the Moody Blues' true contribution to rock history: the most cohesive integration of rock songs with orchestral music ever produced. Asked by Deram Records to create a rock reworking of Dvorak's "New World" Symphony, the Moodies instead wrote their own symphony, a song cycle that describes the emotions that accompany each part of the day, from dawn ("Dawn Is A Feeling") to night (the classic "Nights In White Satin"). The songs are connected by lush orchestral passages in which the basic musical themes are reworked. Meanwhile, the band had already begun to sound like its own orchestra, using signature Mellotron string sounds, flutes, tympani and multiple vocalists.

DAYS OF FUTURE PASSED is the Moody Blues' true contribution to rock history: the most cohesive integration of rock songs with orchestral music ever produced. Asked by Deram Records to create a rock reworking of Dvorak's "New World" Symphony, the Moodies instead wrote their own symphony, a song cycle that describes the emotions that accompany each part of the day, from dawn ("Dawn Is A Feeling") to night (the classic "Nights In White Satin"). The songs are connected by lush orchestral passages in which the basic musical themes are reworked. Meanwhile, the band had already begun to sound like its own orchestra, using signature Mellotron string sounds, flutes, tympani and multiple vocalists. minimize