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Desert Crossroads (CD - 2008)UPC: 00605633004823Artist: Etran Finatawa Label: Riverboat (UK) Genre: International - African Album Description: Etran Finatawa: Alhousseini Mohamed Anivolla (vocals, guitar, bass instrument, background vocals); Ghalitane Khamidoune (vocals, guitar, background vocals); Bagui Bouga (vocals, flute, background vocals); Bammo Agonla (vocals, hand claps, background vocals); Zaid Ag Abdoul J... read more Etran Finatawa: Alhousseini Mohamed Anivolla (vocals, guitar, bass instrument, background vocals); Ghalitane Khamidoune (vocals, guitar, background vocals); Bagui Bouga (vocals, flute, background vocals); Bammo Agonla (vocals, hand claps, background vocals); Zaid Ag Abdoul Jamil, Mamane Tankari (background vocals). Audio Mixer: Paul Borg. Liner Note Author: Paul Borg. Recording information: Livingston Studios, London, England. The sounds of the Sahara desert sift into your stereo with DESERT CROSSROADS. The album presents Etran Finatwa, a group formed by musicians from the Wodaabe and Tuareg tribes, two nomadic bands of desert dwellers. In the wake of fellow Tuareg group Tinariwen's worldwide popularity, Etran Finatwa's music was marketed to the West, but it's a horse of a different color. More acoustic-oriented and traditional-sounding (even if not strictly traditional), it bears the echoes of people who have drifted across the Saharan sands and grasslands for longer than anyone can recall. Over pounding percussion and tartly picked riffs that could only be described as bluesy, voices wail, sometimes alone, sometimes in group chants, telling tales of a life most of the world can barely envision. It's that desert blues again, baby, a style that seems to have become vastly more popular in the last few years following the breakthrough by Tinariwen. Although this band follows much the same formula, they're made up not just of Tuareg but also Wodaabe people. There's a dryness to the guitar and a rolling rhythm that's reminiscent of a camel crossing the desert (much as the Tuvan singers use the rhythm of horses behind their songs). What possibly sets this group apart is that, at times, there's a deeper emphasis on percussion and its power, not just guitars or voices and the flute gives a sense of roots to the sound. There's a strong sense of cultural identity in all this; it's very much the music of the Sahara. Its lack of compromise is both its strength and weakness. Strength because it means Etran Finatawa won't lose who they are; it's a weakness if that will stop them from reaching a much wider audience, given the number of bands playing similar music now. That said, this is a strong disc, more refined than their debut, and tighter from months of touring, a satisfying slab from the true home of the blues. ~ Chris Nickson minimize
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