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Electro-Shock Blues (CD - 1998)

Electro-Shock Blues (CD - 1998)

UPC: 00600445005228

As low as $6.97 from DeepDiscount.com

Artist: Eels

Label: Dreamworks SKG

Genre: Rock & Pop - Alternative

Album Description: Eels: E (vocals, guitar, bass, keyboards); Butch (vocals, drums).Additional personnel: Grant Lee Phillips (electric guitar, banjo, background vocals); Stuart Wylen (guitar, alto & bass flutes, Fender Rhodes); Parthenon Huxley (guitar); Lisa Germano (violin); Cynthia Merri... read more

Eels: E (vocals, guitar, bass, keyboards); Butch (vocals, drums).

Additional personnel: Grant Lee Phillips (electric guitar, banjo, background vocals); Stuart Wylen (guitar, alto & bass flutes, Fender Rhodes); Parthenon Huxley (guitar); Lisa Germano (violin); Cynthia Merrill (cello); Jim Jacobsen (clarinet, keyboards, bass); Bill Liston (saxophone); Jon Brion (organ, Chamberlin); John Leftwich (acoustic bass); T-Bone Burnett (bass).

Producers: E., Jim Jacobsen, Mickey P., Michael Simpson, The Good, The Bad and The Ugly.

Engineers include: Mickey P., E., Jim Jacobsen.

Lyricist: E.

Personnel: E (vocals, guitar, keyboards); Butch ? (vocals, drums); Stuart Wylen (guitar, alto flute, bass flute, Fender Rhodes piano); Parthenon Huxley (guitar); Grant Lee Phillips (electric guitar, banjo, background vocals); Cynthia Merrill (cello); Jim Jacobsen (clarinet, keyboards); Bill Liston (saxophone); Jon Brion (organ, chamberlin); John Leftwich (upright bass).

Audio Mixers: E; Michael Simpson; Greg Collins ; Jim Jacobsen; Jim Lang; Mickey P.

Unknown Contributor Role: Elton Jones.

Arranger: Jim Lang.

ELECTRO-SHOCK BLUES is the ultimate example of artistic-statement-as-therapy-session. Written and recorded in the wake of the death of family and friends, the songs here are full of sorrow and bereavement, but redeemed by a self-conscious sense of black humor. The man formerly known as "E" is first and foremost a popster though, so no matter how downhearted things get (and with song titles like "Going to Your Funeral" and "The Medication is Wearing Off," this is no day at the beach) there are enough hooks to keep it all afloat. There's a sparseness to the arrangements that suits the stark nature of the subject matter, but the intimacy thus created allows ELECTRO-SHOCK BLUES to communicate that much more directly. Check your razor blades at the door. minimize

 
 
 
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