Murmur (CD - 1983)

Additional personnel: Jefferson Holt, Bertis Downs.

Recorded at Reflection, Charlotte, North Carolina in January 1983.

Leaving behind the garagey jangle pop of their first recordings, R.E.M. developed a strangely subdued variation of their trademark sound for their full-length debut album, Murmur. Heightening the enigmatic tendencies of Chronic Town by de-emphasizing the backbeat and accentuating the ambience of the ringing guitar, R.E.M. created a distinctive sound for the album -- one that sounds eerily timeless. Even though it is firmly in the tradition of American folk-rock, post-punk, and garage rock, Murmur sounds as if it appeared out of nowhere, without any ties to the past, present, or future. Part of the distinctiveness lies in the atmospheric production, which exudes a detached sense of mystery, but it also comes from the remarkably accomplished songwriting. The songs on Murmur sound as if they've existed forever, yet they subvert folk and pop conventions by taking unpredictable twists and turns into melodic, evocative territory, whether it's the measured riffs of "Pilgrimage," the melancholic "Talk About the Passion," or the winding guitars and pianos of "Perfect Circle." R.E.M. may have made albums as good as Murmur in the years following its release, but they never again made anything that sounded quite like it. ~ Stephen Thomas Erlewine

R.E.M.'s full-length debut is a landmark album that set the standard for the next 10 years of indie rock. The Athens quartet combined Byrdsy, folk-rock guitar jangle with obscurantist lyrics and a post-punk compositional sensibility to create a vibrant new sound that would soon be imitated by every high-school poet with a Rickenbacker guitar. R.E.M. was also one of the first bands to make the long, hard journey from college radio (when it was still college radio) to mainstream acceptance, and managed the difficult task of maintaining its integrity at every step along the way.

MURMUR, far from an embryonic debut, shows a fully-formed unit with a strong artistic vision. (It was preceded by two legendary underground releases: The "Radio Free Europe" single--which was re-recorded for MURMUR--and the CHRONIC TOWN EP.) Producers Mitch Easter and Don Dixon's lofty reputations would have remained intact even if they had never worked on another record after this one. The gentle-but-insistent arrangements and glorious pop hooks of songs like "Catapult" and "Talk About The Passion" provide the perfect contrast to Michael Stipe's earnest, moody vocal style. Drummer Bill Berry's breathless effervescence provides the perfect backdrop for this album of jumpy, intellectual pop. minimize