Metallica (CD - 1991)

Recorded at One On One Recording, Los Angeles, California between October 1990 and June 1991.

After the muddled production and ultracomplicated song structures of ...And Justice for All, Metallica decided that they had taken the progressive elements of their music as far as they could and that a simplification and streamlining of their sound was in order. While the assessment made sense from a musical standpoint, it also presented an opportunity to commercialize their music, and Metallica accomplishes both goals. The best songs are more melodic and immediate, the crushing, stripped-down grooves of "Enter Sandman," "Sad but True," and "Wherever I May Roam" sticking to traditional structures and using the same main riffs throughout; the crisp, professional production by Bob Rock adds to their accessibility. "The Unforgiven" and "Nothing Else Matters" avoid the slash-and-burn guitar riffs that had always punctuated the band's ballads; the latter is a full-fledged love song complete with string section, which works much better than might be imagined. The song- and riff-writing slips here and there, a rare occurrence for Metallica, which some longtime fans interpreted as filler next to a batch of singles calculated for commercial success. The objections were often more to the idea that Metallica was doing anything explicitly commercial, but millions more disagreed. In fact, the band's popularity exploded so much that most of their back catalog found mainstream acceptance in its own right, while other progressively inclined speed metal bands copied the move toward simplification. In retrospect, Metallica is a good, but not quite great, album, one whose best moments deservedly captured the heavy metal crown, but whose approach also foreshadowed a creative decline. ~ Steve Huey

After the muddled production and ultracomplicated song structures of ...And Justice for All, Metallica decided that they had taken the progressive elements of their music as far as they could and that a simplification and streamlining of their sound was in order. While the assessment made sense from a musical standpoint, it also presented an opportunity to commercialize their music, and Metallica accomplishes both goals. The best songs are more melodic and immediate, the crushing, stripped-down grooves of "Enter Sandman," "Sad but True," and "Wherever I May Roam" sticking to traditional structures and using the same main riffs throughout; the crisp, professional production by Bob Rock adds to their accessibility. "The Unforgiven" and "Nothing Else Matters" avoid the slash-and-burn guitar riffs that had always punctuated the band's ballads; the latter is a full-fledged love song complete with string section, which works much better than might be imagined. The song- and riff-writing slips here and there, a rare occurrence for Metallica, which some longtime fans interpreted as filler next to a batch of singles calculated for commercial success. The objections were often more to the idea that Metallica was doing anything explicitly commercial, but millions more disagreed. In fact, the band's popularity exploded so much that most of their back catalog found mainstream acceptance in its own right, while other progressively inclined speed metal bands copied the move toward simplification. In retrospect, Metallica is a good, but not quite great, album, one whose best moments deservedly captured the heavy metal crown, but whose approach also foreshadowed a creative decline. ~ Steve Huey

When a genre-defining group like Metallica, whose past albums have rocked the charts with virtually no airplay, enlists the aid of a hit-making producer like Bob Rock, the result is bound to be monumental. METALLICA, their sixth studio release, surpasses all expectations.

METALLICA is an extremely heavy album. It carries a presence, a huge, live sound different from that heard on their previous recordings. What once could not be tamed has been refined, resulting in a fuller, more powerful guitar sound in an already guitar-intensive band. They have evolved from the messy, unabashed thrashers of their youth into a more confident, poised and angry bunch, not only retaining their fire but stoking it into a chunky, tight-fisted maelstrom of scowling energy.

Serious riffs provide punch and punctuation for James Hetfield's gruff vocals which rage against society and religion, and revel in suspicion and sarcasm. METALLICA is full of songs just as potent as the hugely popular "Enter Sandman," yet is not as complicated as their recent albums have seemed. "Sad But True," which is just as low down and dirty as anything labeled "grunge," exemplifies the poise of the metal band that can foresee the punchlines to their riffs and has the patience to wait for them. minimize