Dirt (CD - 1992)

Additional personnel: Tom Araya (background vocals).

Recorded in 1992.

Dirt is Alice in Chains' major artistic statement and the closest they ever came to recording a flat-out masterpiece. It's a primal, sickening howl from the depths of Layne Staley's heroin addiction, and one of the most harrowing concept albums ever recorded. Not every song on Dirt is explicitly about heroin, but Jerry Cantrell's solo-written contributions (nearly half the album) effectively maintain the thematic coherence -- nearly every song is imbued with the morbidity, self-disgust, and/or resignation of a self-aware yet powerless addict. Cantrell's technically limited but inventive guitar work is by turns explosive, textured, and queasily disorienting, keeping the listener off balance with atonal riffs and off-kilter time signatures. Staley's stark confessional lyrics are similarly effective, and consistently miserable. Sometimes he's just numb and apathetic, totally desensitized to the outside world; sometimes his self-justifications betray a shockingly casual amorality; his moments of self-recognition are permeated by despair and suicidal self-loathing. Even given its subject matter, Dirt is monstrously bleak, closely resembling the cracked, haunted landscape of its cover art. The album holds out little hope for its protagonists (aside from the much-needed survival story of "Rooster," a tribute to Cantrell's Vietnam-vet father), but in the end, it's redeemed by the honesty of its self-revelation and the sharp focus of its music. [Some versions of Dirt feature "Down in a Hole" as the next-to-last track rather than the fourth.] ~ Steve Huey

Brutal and hard but exciting and surprisingly melodic, DIRT made Alice In Chains national stars in 1992 after being around the Seattle alternative rock scene for many years. They produce a blindingly together sound, with the bass of Mike Starr able to switch between following the bass drum beat and cloning Jerry Cantrell's guitar note for note, albeit a few octaves lower. They have such polish that they are often reminiscent of the heyday of Led Zeppelin. Lyrically they plow the familiar angst furrow with tracks such as 'Junkhead', 'Sickman' and 'God Smack'. Equally satisfying are 'Them Bones' and 'Rooster', which saw them start in a direction that led to Jar Of Flies two years later. minimize