Retrospective [Remaster] (CD - 2004)

Personnel: Keith Hopwood, Derek Leckenby (vocals, guitar); Karl Green, Peter Noone (vocals); Barry Whitwam (drums).

Liner Note Author: Jim Bessman.

Recording information: De Lane Lea Music Recording Studios, London, England (??/??/1964-09/27/1969); Kingsway Recording Studio, London, England (??/??/1964-09/27/1969).

Arranger: John Paul Jones .

Herman's Hermits are widely seen as a lightweight, novelty cousin to the Beatles, fronted by a lovably dorky moppet and musically negligible. Sure, they are lightweight at times, Peter Noone is a lovable moppet, and their popularity would never have been possible without the Beatles, but one listen to Retrospective proves that they were not lacking in the musical department. Setting aside "I'm Henry the VIII, I Am" (which proves everything the critics say about the band), the group, and producer Mickie Most, had a surefooted straight-ahead approach that let the songs' hooks sink in deeply. Noone's pleasant voice and the band's sympathetic but never boring backing always goes down easy, and when they get excited -- like on "Hold On" or "A Must to Avoid" -- they almost rock. Thanks to the generous outlay of tracks and the improved sound, Retrospective takes over as the definitive collection of the Hermits' work. It leaves off their final two singles recorded for RAK in 1970, but otherwise the 26 songs here include 23 that made the Top 40 in the U.K. or the U.S. Many of the tracks are among the best the British Invasion had to offer, including "A Must to Avoid," "I'm into Something Good," "There's a Kind of Hush," and "Listen People." It also shows the band's range with the lovely Baroque pop of "East West," the laid-back R&B of "(What A) Wonderful World," the folk-rock with strings of "Don't Go Out in the Rain," the British psychedelia of "Museum," and the Bee Gees-styled orchestrated pop of "Here Comes the Star." The band was really much more versatile then given credit for and not as lightweight, either, as melancholy tracks like "No Milk Today" and "My Sentimental Friend" prove. Another thing Retrospective makes clear is that, much like another underrated '60s group, they were able to maintain a high-quality output even as the hits were smaller and farther between; 1968's "Sunshine Girl," 1967's "I Can Take or Leave Your Loving," and 1968's "Something's Happening" are just as hooky and memorable as their early work, and may even be better songs as they are the work of a more mature and assured group. They just weren't able to make as big an impact due to the times they were released. If you have even a passing interest in the band you should pick this disc up; it will win you over and soon you will join the proud ranks of Hermit boosters. [Retrospective is playable as a regular CD and as a SACD.] ~ Tim Sendra

If all you know about Herman's Hermits is that they had a couple of semi-novelty hits during the British Invasion with "Mrs. Brown, You've Got a Lovely Daughter" and "I'm Henry the VIII, I Am," RETROSPECTIVE aims to set you straight. Part of ABKCO producers Teri Landi and Jody Klein's grand plan to redress the balance of historical perspective on 1960s pop, this collection is a perfect overview of the band initially regarded as a safer version of the Beatles. While amiable, sunny pop is the dominant strain here, there are many tracks that further flesh out the group's profile. A version of Sam Cooke's "(What a) Wonderful World" points up the Hermits' soul leanings. The downright nasty "A Must to Avoid" and the witty, rocking "Museum" would sound right at home on a contemporaneous Beatles album. The Hermits' version of the Kinks' "Dandy" displays hipper tastes than many give Peter Noone and company credit for, and RETROSPECTIVE itself calls out for a 21st-century reappraisal of the band's catalog. minimize